In the MSP7 studio this particular power and driver combination results in the perfect balance between the low-mid and high frequency ranges. The frequency ranges are divided via a carefully designed electronic crossover before the power amplifier inputs, featuring steep 30dB/octave roll-off curves in both the low- and high-pass filters.

The steep roll-off minimizes inter-modulation between the frequency bands at the crossover point, achieving significantly smoother, cleaner crossover performance in critical midrange. And fact that the crossover is line level electronic design completely eliminates the loss, distortion, and sometimes severe inter-modulation that are almost unavoidable in conventional passive crossover networks driven by a single power amplifier.

MSP7 studio woofer and tweeter units feature some important design innovations that contribute directly to improved sound quality. The 6.5-inch woofer, for example, features specially treated polypropylene cone with low damping rubber surrounds for exceptionally smooth response. Low-reflection high rigidity die-cast magnesium baskets both maximize mechanical precision while minimizing unwanted coloration of the speaker's output. The 1-inch tweeters feature titanium domes that offer the perfect combination of light weight and rigidity for precise reproduction right up to 40kHz. The tweeters have a powerful magnetic circuit that results in extremely fast response for crisp, natural transients, and are integrated with waveguide that achieves uniform high frequency dispersion of 120 degrees. But precision manufacturing makes a huge contribution to performance as well as basic materials and design. MSP7 studio features balanced XLR-type connector for input. This provides direct compatibility with professional gear and allows the use of balanced lines for maximum audio quality even where long cable runs are required. Rear-panel controls include a continuous input sensitivity control, and trim switches that enable to adjust the bass and treble in four and three positions, respectively (+1.5/0/-1.5/-3dB at 50Hz and +1.5/0/-1.5dB at 10kHz), so that the system's response to be quickly matched to room.